Last Updated: 1/21/04

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Fong Ling was elected to be president of Pastel Artists of Hawaii - June 2003

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"Onions" won Gold Pastel Award at the Eighth Annual Exhibition "For Pastels Only, on Cape Cod" - Aug. 2003

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"Hula Girl" won First Place at Association of Hawaii Artists/Aloha Festivals - Aug. 2003

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"Out of Order" won Honorable Mention at Northwest Pastel Society's 2003 Member's Exhibition - Sept. 2003

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"Memory from Childhood" won president's award at Alabama Pastel Society First National Open Exhibition - Sept. 2003

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"Pine Tree" won The Audubon Artists Silver Medal of Honor - Sept. 2003

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"Trace" won the Strathmore Artists Paper Award at Connecticut; Pastel Society Exhibition - Oct. 2003

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Group exhibition at Gallery on the Pali "Pastel 7, Diversity" from Nov. 2-27, 2003.

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"W
eathered" was accepted in the Pastel Society of America Curator Series Exhibition - Nov. 4-19, 2002. The curators, Diane Rosen, PSA, and Jimmy Wright, PSA, commented during the gallery walkabout, "with a Hopper-like sense of light and form, this junkyard truck is elevated to a poetic status." The painting was sold at the show.

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"
End of the Day" was accepted and awarded "Pastel Society of America award" at the Connecticut Pastel Society ninth annual national exhibition "Renaissance in Pastel" - Nov. 24, 2002-Feb. 9, 2003.

 

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(Click to read it online)

 Posted on: Sunday, November 17, 2002

•  Fong Ling: Pastels
9 a.m.-8 p.m. Mondays- Fridays, 1-4 p.m. Saturdays and Sundays through Nov. 28
The Gallery on the Pali, 2500 Pali HighwayIf the red grapes in the "Pink Carnation" still life by Fong Ling were any juicier, they would pass through the doors of perception and manifest into reality, delicious and sweet. Translucent with light, they arouse Pavlovian responses in the viewer (especially on a hot afternoon). She demonstrates a mastery of her medium in a collection of 31 chalk pastel drawings on exhibit at The Gallery on the Pali in a range of subjects from portraits to golden rice fields.
In 1976, Ling came to Hawai'i from Taiwan with her husband and three children. With her children grown, she now focuses on what she loves to do — draw with pastels. "Age gives you experience," she says. "If I tried pastels 30 years ago, it would have been very different. I see things and feel things differently now. For me, I didn't start as young as I wished, but I don't feel that my time is wasted."
Ling has tried other media, but finds the range and saturation of colors and softness of chalk pastels more to her temperament. "Drawing with pastels is very much like writing instead of painting," she says. After having studied with some of the best pastel teachers in the country — Sally Strand, Jason Chang, Ben Konis and Doug Dawson — Ling now teaches.
"I don't start from a photo unless I can't paint it on location," says Ling. "I use my own photos. I have a very picky feeling about that. I have to remember how I felt about that moment."
The "Red Scarf" series of six drawings is filled with just such a moment of feeling, a sense of sensuous anticipation. And this is puzzling, because it is simply a red scarf draped on a chair with variations (in paper texture and angle) depicted six times. But, Ling has invigorated these drawings with feeling and they hold our attention. There is a sense of mystery here, and a story. Ling tells good stories through her drawings by her affection for her subjects and the viewer. She gives the viewer the option to continue the tale. (The red scarf actually happens to have been a gift from a good friend.)
"Red Door" begins a tale of a wealthy home in China. A vine has grown over the carved door grating, suggesting that history has changed the lives of the former inhabitants. What is particularly delightful about this piece is the understated slice of red door Ling has chosen to isolate in the composition.
"I try to use my heart to draw instead of just my hands," says Ling. "Everything is from my heart. I can't draw something that I can't feel in my heart. It is connected to my whole life. I am determined to draw until my last minute alive."
Ling teaches two sessions a year at the Tsu-Chi Foundation Culture and Education Program, 1238 Wilhemina Rise. Phone 737-8885 for information.
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